"Artificial
light, man made light must reflect nature"
WORDS ON FIRE
Words
on Fire is part a international project to illustrate
how words become more than metaphor--they become
emblematic and symbolic aspects of the structure
of disenfranchisement. The recent condemnation
and arrest of the operators of the radio stations
in Rwanda and their apparent orchestration of the
inferno of ethnic cleaning that engulfed the country
merely a recent example of language and word to
distance ethnic groups one from the other.
In
the gallery, the installation was in two parts.
A medallion on the floor at the center of the gallery
has words sand blasted on glass discs, this is illuminated
by two spot lights mounted on the ceiling.
The walls of the gallery hold light boxes that back
light words sandblasted through the reflective backing
of long narrow mirrors--the words of the poem seem
to float above the specular surface of the glass.
The poem is the oral memory of an Anatolian refugee,
exhausted from carrying bundles she can never put
down as she crosses into Syria from Turkey
in the early twentieth century--the artists
great grandmother.